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The life of Shakespeare ‘All that is known with any degree of certainty concerning Shakespeare, is-that he was born at Stratford upon Avon,-married and had children there,-went to London, where he commenced actor, and wrote poems and plays, returned to Shakespearian scholar of the eighteenth century, George Steevens. His remark has been often quoted, and others have made essentially the same comment in less memorable words. But Steevens exaggerated, and since his time much has been learned about the poet, his ancestors and family, and his Stratford and London associations. There facts, it is true, are of a public character, and are recorded in official, mainly legal, documents-conveyances of property,tax assessments and the like; as such, they afford no insight of literary biography. Yet we know more about Shakespeare than about most of his fellow playwrights.
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I. Introduction
Any discussion of Shakespeare's life is bound to be loaded with superlatives. In the course of a quarter century, Shakespeare wrote some thirty-eight plays. Taken individually, several of them are among the world's finest written works; taken collectively, they establish Shakespeare as the foremost literary talent of his own Elizabethan Age and, even more impressively, as a genius whose creative achievement has never been surpassed in any age.

In light of Shakespeare's stature and the passage of nearly four centuries since his death, it is not surprising that hundreds of Shakespeare biographies have been written in all of the world's major languages. Scanning this panorama, most accounts of the Bard's life (and certainly the majority of modern studies) are contextual in the sense that they place the figure of Shakespeare against the rich tapestry of his "Age" or "Times" or "Society." This characteristic approach to Shakespeare biography is actually a matter of necessity, for without such fleshing out into historical, social, and literary settings, the skeletal character of what we know about Shakespeare from primary sources would make for slim and, ironically, boring books. As part of this embellishment process, serious scholars continue to mine for hard facts about the nature of Shakespeare's world. The interpretation of their meaning necessarily varies, often according to the particular school or ideology of the author.

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http://zhidao.baidu.com/question/27564619.html?si=1

http://www.nrenglish.com/masterpiece/author/200701/20070112232731.html

http://listening.gdufs.edu.cn/web/Article/ShowArticle.asp?ArticleID=309

http://www.shakespeare.com/