推荐回答(3个)
书法的法度指书写的法则。法度就是指法则。
书法的法度包含以下几个要素:
1、笔法
必须正确执笔,掌握科学指法,腕法,身法,墨法等。
2、笔势
妥当的组织点画结构、分行布白、承接关系等。
3、形式
书法的章法、布局、款式、陈列方式等。
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扩展资料:
1、书法笔法是其技法的核心内容。笔法也称“用笔”,指运笔用锋的方法。
2、字法,也称“结字”、“结构”,指字内点画的搭配、穿插、呼应、避就等等关系。
3、章法,也称“布白”,指一幅字的整体布局,包括字间关系、行间关系的处理。
4、墨法,是用墨之法,指墨的浓、淡、干、枯、湿的处理。
参考资料来源:百度百科—书法
书法的法度漫谈
书法,书法,书之大法。它包括书写的用笔大法,结字大法,用墨大法,书写的章法,作品的悬挂之法等等。传统上均有法可依,有章可循。这就是书法。如果不懂法度,心无法度,即使书写好的精品,神品,如不留心,挂错了也会让行家笑掉大牙!我最近承蒙朋友抬举从深圳到云南,贵州走一趟。好多地方的书作使我耳目一新,心里暗暗佩服中国的书法家民间比比皆是,他们的作品有的甚至比什么吹出来的名家要好的多,但同时也看到了不少令人啼笑皆非的民间笑料。例如:因为不重视,不在意或不懂书法,盲目书写,造成了雄气不到,燥气十足;霸气不到,火气有余;儒味不含,缠绵乃盈;有的筋骨外露,活象受伤猛兽;有的筋骨无架,诚如软面佝偻,总让中华书法缺憾难抑。
最让人难以容忍的是深圳市,作为中国全方位对外开放的窗口,各国巨商大儒汇聚一堂,游客如织。但无论是“世界之窗”还是“中国民俗文化村”的门面书作,虽不乏名人之作,但也总不尽人意之作泛有。新建的“世博园”,在竹子林处的山门前,那副对联,词也倒美,不经推敲。竖联是右联为上,左联为下倒也合适,而横联却丢掉传统自左而右书写,违之法度,作为书家,我一下子脸红起来,怪不得外国有人学书不到中国,却到日本,我不禁难受起来,又想到,在全国各地经常看到书法的章法,按传统应是先右后左,然后自上而下。可好多犯法书者却先左后右的排列。这样会显出没文化,起码会令人认为不懂书法。
我希望深圳市长能看到我的这篇文章,抽点时间抓抓深圳的门联大字,以使这个举世闻名的名城更美!更文明!更具高雅!更能显出中国的特色!!!
使我感到欣慰的是,在云南的昭通,这座美丽的高原凤凰之城,不少民间书者却有着高超的书技,很多少数民族书家的作品也令我咋舌。向他们学到不少新东西。在贵州,我目睹了这夜郎鬼方的山清水秀,黄果树的动静之美,花溪的流美,黔霝关刀岩的险峻美,青岩古镇的古朴美!更重要的是欣赏到并尝试书写了彝族典籍.“夜郎史传”。别具一格的彝族文字,我体会到它智慧地运用直线,曲线,弧线,折线,斜线,几何图形的有机结合,创造了独具特色的夜郎国彝族文字的辉煌!!!
另外,还欣赏并尝试书写了水族文字。使我颇感兴趣的是:这些号称天书,远看似花,中看是画,近看是字的书作,书写方法也很讲究,只不过有点繁琐,却很新颖,也很美。虽无甲骨文,东巴文,蒙古文古老,起码可以与辽金文和女真文字相提并论。彝族文字其实是用硬笔书写的,然而我也犯了法,却使用毛笔书写了。味不到,心有悔。中国书法主要是指汉字的书写方法。我的猎奇只是为了补充自己的孤陋寡闻罢了。作为书家,这使我更加了解自己的祖国,了解博大精深的各民族文化,更加理解了人类祖先在向现代文明进化过程中所付出的艰辛劳动和高深智慧,更加深了对中国书法的理解!!!
书法的直观定义为:书写的法则。而法度就是这里的法则。
法度包括基本笔法的,起笔,行笔,收笔。也包括结字的法则,如穿插,避让,横画等距,竖画等距,等等。而这些都是要在不断的书写实践中才能慢慢体会和掌握的。
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